From Rosenthal Studio : edition '77. Numbered and signed in the plate at the verso.
Victor Vasarely’s Zèbra (Céramique) exemplifies his foundational engagement with optical perception and modular geometry. Executed in ceramic, the work translates the artist’s investigation of dynamic line and contrast into a tactile, three-dimensional form. Characteristic of Vasarely’s commitment to perceptual ambiguity, Zèbra uses rhythmic patterning and tonal shift to produce a sense of movement across a constructed surface, where black and white bands seem to advance and recede. This interplay of form and field situates the work within the broader history of Op Art, while also underscoring Vasarely’s ongoing challenge to how the eye synthesizes visual information, bridging formal precision with kinetic implication.
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