Francis Bacon / Portrait of Michel Leiris による紹介 Gutan Fine Art

Francis BACON - Portrait of Michel Leiris

による紹介 Gutan Fine Art


  • 1976
  • 技法
    彫版
  • 画像の寸法
    29,8 x 25,0 cm / 11.7 x 9.8 in
  • 紙の寸法
    67,5 x 62,0 cm / 26.6 x 24.4 in
  • 印刷
    EA 7/20
  • 価格
    20 000 euros (€)
  • 参照
    参照なし
  • 訪問
    239
  • 状態
Francis BACON - Portrait of Michel Leiris

Color etching and aquatint on Arches wove paper, edited in 1976
Limited edition of 100 copies
signed in pencil by artist in lower right corner and numbered EA 7/20 in lower left corner
Paper size: 67.5 x 52 cm
Image size: 29.8 x 25 cm
framed size: 80 x 65 cm
important wood frame included
very good conditions , with strong colors

Bibliography: Francis Bacon OEuvre graphique - Graphic work - Catalogue raisonnè ref 2 pag 36


A copy of publication and a regular certificate of authenticity is provided

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about the work:
Francis Bacon (1909-1992) is one of the most distinctive, provocative, and influential painters of the 20th century.

His singular aesthetic was a violent intersection between abstraction and expressionistic portraiture. While the subjects in his paintings were often identified, distinctive facial features were typically smeared and distorted, often reflecting their inner turmoil or the artist's conflicting emotions related to the sitter.

"Portrait of Michel Leiris" depicts the artist's close friend, who was a prominent French surrealist writer and anthropologist. The work is based on Bacon's oil painting of the same name from 1976; which is currently held by the Musée National d'Art Moderne, Paris.

This work is a paradigm of Bacon's style. Psychologically charged, Bacon's portraits often took inspiration from personal experiences, frequently depicting friends, lovers, and those closest to the artist. Portraiture was revived in Britain in the 1960's and Francis Bacon was at the forefront of this wave of innovation and representation.

In this work, the sitter is rendered through frenetic swirls and sweeping strokes of color that effectively distort the subject's facial features. The dynamic composition is anchored by the man's right eye, which is left intact, offering a focal point amidst the tumultuous surroundings. Francis Bacon is arguably the immediate successor to Edvard Munch's iconic "The Scream" from 1893.

Today, Bacon's canvases fetch astounding prices at auction, achieving a record of $142.4 M in 2014.

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